Centrally located in Burbank, California, RH Factor has been providing audio post-production services in a client-friendly environment for nearly twenty years. RH Factor’s facility, where founders Craig Hunger and Dave Rawlinson focus on workflow efficiency with a personal touch, includes three mix stages for dubbing, layback and editorial, as well as an additional ADR/Foley Stage.
Many of RH Factor’s clients work with and deliver ProRes files. Before cineXtools, Ken had to use various NLEs to marry the final audio stems to the master video. “Depending on the project, we would use either Final Cut or Premiere to marry the audio to the video. I really didn’t enjoy this process because exporting the file meant we were not just adding the requisite audio tracks, we were re-encoding the picture as well. This is the client’s QC’d video master so it’s a really uneasy feeling,” Ken says. “Using cineXtools’ audio versioning or audio insert tool means I can add tracks and know for certain that the QC’d video master is untouched during the process. Not only is it incredibly easy to use, it also means RH Factor can focus on providing the best audio post-production services instead of worrying whether a picture artifact was introduced in the export process.”
Typically, audio post is the last step before the QC facility and many of RH Factor’s clients take advantage of this time to visually and aurally QC the file one last time. “If there is a QC note during the final watchdown, I update the 2 seconds of whatever needs to be fixed instead of creating a brand new file. We typically insert frame to frame so there’s no offset in the waveform, no drift or timecode lockup like there might be on tape. And because we’re not using tape there are no red-channel conditions! I just don’t have to think about all the potential issues that can come up if I were using other tools.”
“Another aspect of the cineXtools workflow is that our clients appreciate walking away with the file that ultimately goes to the QC facility. They feel confident that their show has been QC’d properly and we’re happy that the file with their newly layed-off and QC’d audio is the original video master they walked in with” Ken explains. “CineXtools greatly reduces the time required to layoff audio to a quicktime master compared to other options since the entire file isn’t recreated – only the audio files are copied to the picture file. What used to take over an hour can now be accomplished in a few minutes,” concludes Ken.
RH Factor has used the cineXtools audio layoff workflow for Amazon’s ‘Goliath’, ABC Studio’s ‘The Real O’Neil’s, and Freeform’s ‘Stitchers’.
RH Factor was founded in 1999 by Dave Rawlinson and Craig Hunter to deliver sound post production in a fresh and artful way. Combining many years of experience in video production, audio workstation development, studio management, and hands-on mixing and editing, the goal of RH was to be a client friendly workspace with a premium on efficiency and family-style environment.
RH Factor shows include CSI, Goliath, Santa Clarita Diet, and My Name Is Earl along with many pilots and independent features. With a Burbank-based facility that now includes dubbing stages, an ADR/Foley stage and a layback stage, plus editorial, RH Factor continues to provide a boutique environment within state of the art technology.
919 N. Victory Blvd, Burbank | (818) 474-1555 | Contact RH Factor